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The Human Form in Action and Repose: A Photographic Handbook for Artists, by Phil Brodatz
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ABOUT THIS BOOK -- Following in the footsteps of Muybridge, this 1966 book "brings to artists, illustrators, students, and teachers the most complete artistic pictorial coverage of the figure available." Over 275 photographic images, many of them full-page: male in repose, male in action, female in repose, and female in action. BOOK DETAILS -- first released by Reinhold in 1966; large format hardback bound in grey linen cloth over boards; unpaginated.
- Sales Rank: #2711251 in Books
- Published on: 1966
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 172 pages
Most helpful customer reviews
4 of 4 people found the following review helpful.
Surprisingly good reference
By Interesting Reader
I was pleasantly surprised by this book. It's an old book printed in 1966. I got it used thinking it would only be okay, but it turns out its a pretty good figure reference book. Lot's of good usable poses both dynamic and casual that most artist would find useful. A lot of them large full-page or half-page size photos. Plenty of standing, sitting, lifting, jumping poses and more that you could find common use for. The pictures are all in black and white, and this was not a problem for me. With low quality of colored pics back in the 60's black and white only was probably a better decision. Overall really good book, however there was only one problem, which is why I deducted a star and I'll get to that later.
Now there are only 2 models in this book, but they are excellent choices as far as models go. They both pose well and have good classical male and female physique types. And I just want to point out the female model is strikingly beautiful, with a classic waistline, with just the right amount of curves that's wonderful to draw. With stand-alone figure reference products like these I have to honestly say that the models make or break it, specially if you only have two. There are some that don't care which models are used, but most artist whether they admit it or not, do care. --This after all is where the very idea of the muse comes from, which I believe all great artist innately understands. The right models can both pose and have the ability to inspire.
As for one real negative in this book which is why I only gave it 4 stars, being that this was made in the 60's they covered up the models 'private' areas. The male model was wearing a g-string, I've heard of artist always saying that they hated g-strings on models, ...now I know why. There are this annoying unnatural lines made by the strings on the male figure. It really throws off the natural flow of the form. Sometimes you can't tell what if it's a real part of the body or if it's the string. I never thought g-strings where big deal in messing with how you view the figure, ---they are! And the female model's genital area is blurred out and they did a really bad job of it in some pictures (60's technology I guess). It was very annoying how bad a job they did in some cases, she looked more like a toy doll in a few pictures than a real human, very weird to look at. Most discriminating artist do prefer entirely nude figures without any type of covering or editing, and I can see why. Both figures are still capable of being drawn even with these cover-ups, they get in the way but not overly so, although in some pictures its very annoying and unnatural to see. I really believe this one decision by the publishers to cover-up the genital areas was what kept this book from becoming a true classic that would have been reprinted over and over again to this day.
PROS
-plenty of useful poses
-lot's of large photographs
-great choice of models (even if there is only 2 models)
-good quality black and white photos
-good value for the money
CONS
-no color photos
-confusing artificial line on the body caused by male wearing g-string
-female's privates are blurred making some of the pictures look weird
-could have been a classic book for artist
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