Kamis, 29 Juli 2010

[T432.Ebook] Ebook Download A Rereading of Romans: Justice, Jews, and Gentiles, by Stanley K. Stowers

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A Rereading of Romans: Justice, Jews, and Gentiles, by Stanley K. Stowers

A Rereading of Romans: Justice, Jews, and Gentiles, by Stanley K. Stowers



A Rereading of Romans: Justice, Jews, and Gentiles, by Stanley K. Stowers

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A Rereading of Romans: Justice, Jews, and Gentiles, by Stanley K. Stowers

Paul's Letter to the Romans is one of the most influential writings of Christian theology. From the time of Augustine it has been central in discussions about sin and salvation, about guilt, fear of God, and gratitude for God's mercy. In this groundbreaking reinterpretation, Stanley Stowers argues that Christian tradition has interpreted Romans in an anachronistic fashion fundamentally different from how readers in Paul's time would have read it. He provides a new reading that places Romans within the sociocultural, historical, and rhetorical contexts of Paul's world. Stowers challenges the idea that salvation is the central issue of Paul's letter and that the letter's addressees include Jews. In Stowers's reading, Paul, a Jew immersed in Hellenistic culture, is addressing his letter to an audience of gentiles. Paul says that in faithfulness to his mission and God's promises, Jesus restrained his messianic powers, allowing an opportunity for gentiles to be redeemed. Thus God demonstrated his justice and, by raising Jesus, created a new line of kinship by the Spirit that will lead gentiles to moral and psychological self-mastery. The acceptance and self-mastery that gentiles seek is not to be found in observing teachings from Jewish law. According to Stowers, Romans neither offers an answer to human sinfulness nor presents Christianity as a religion of salvation. Stowers thus reinterprets the relation of Paul's Christianity to Judaism, the meaning of faith, and the significance of Jesus Christ.

  • Sales Rank: #525657 in Books
  • Published on: 1997-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .88" w x 5.98" l, 1.10 pounds
  • Binding: Paperback
  • 396 pages

From the Back Cover
Paul's Letter to the Romans is one of the most influential writings of Christian theology. From the time of Augustine it has been central in discussions about sin and salvation, about guilt, fear of God, and gratitude for God's mercy. In this groundbreaking reinterpretation, Stanley Stowers argues that Christian tradition has interpreted Romans in an anachronistic fashion fundamentally different from how readers in Paul's time would have read it. He provides a new reading that places Romans within the sociocultural, historical, and rhetorical contexts of Paul's world. Stowers challenges the idea that salvation is the central issue of Paul's letter and that the letter's addresses include Jews. In Stower's reading, Paul, a Jew immersed in Hellenistic culture, is addressing his letter to an audience of gentiles. Paul says that in faithfulness to his mission and God's promises, Jesus restrained his messianic powers, allowing an opportunity for gentiles to be redeemed. Thus God demonstrated his justice and, by raising Jesus, created a new line of kinship by the Spirit that will lead gentiles to moral and psychological self-mastery. The acceptance and self-mastery that gentiles seek is not to be found in observing teachings from Jewish law. According to Stowers, Romans neither offers an answer to human sinfulness nor presents Christianity as a religion of salvation. Stowers thus reinterprets the relation of Paul's Christianity to Judaism, the meaning of faith, and the significance of Jesus Christ.

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23 of 29 people found the following review helpful.
The grammar of Paul
By CER
I thought that Stowers approach adds a dimension to the discussion about the new perspective on Paul. His attention to how a Greek speaking Gentile would read Paul's epistle is excellent. The book clearly highlights how modern tendencies to read the Bible in the "plain sense" can be hugely mistaken. His focus on who the epistle was written to and what cultural frame of reference they had is very clear. The focus on grammar and on cultural references of Gentiles exceeds simple lexical approaches. Romans was written by a Jew who straddled the growing divide between Judaism and Gentile believers in a Jewish messiah.
I really liked this book, it's full of notes about translational biases that color every approach to the epistle. I would add that Gaston's translation of Romans in his book Paul and Torah is a useful comparison. This book is not for the timid reader of Paul. You have to study it.

13 of 14 people found the following review helpful.
A game-changing book on Romans
By deafguy
A Rereading of Romans is a truly eye-opening look at Paul's most influential letter. There are many commentaries out there on Romans that all say basically the same thing. Stowers' book is completely different. Stowers is one of the few authors to seriously ask how readers in Paul's time (before there were any "Christians" or "Christianity"--Paul never uses those words) would have understood this letter. Stowers shows how modern translations (and even the critical Greek text underlying the translations) have been affected by Christian traditions of interpretation. He demonstrates how various parts of the letter can be radically reinterpreted if read through the lens of ancient rhetorical tools available to Paul's original audience rather than through the (later) lenses of Christian systems of sin and salvation. The argumentation and documentation are thorough, which can make the book a little dense at times, but reading it is worth the effort. It is a remarkable book that deserves to be read by anyone really interested in Paul's letters or early Christianity more generally.

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Rabu, 28 Juli 2010

[R439.Ebook] Ebook Download Scanning: The Aberrant Architectures of Diller + Scofidio, by Aaron Betsky, K. Michael Hays, Laurie Anderson

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Scanning: The Aberrant Architectures of Diller + Scofidio, by Aaron Betsky, K. Michael Hays, Laurie Anderson



Scanning: The Aberrant Architectures of Diller + Scofidio, by Aaron Betsky, K. Michael Hays, Laurie Anderson

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Scanning: The Aberrant Architectures of Diller + Scofidio, by Aaron Betsky, K. Michael Hays, Laurie Anderson

Among the most talked-about names in contemporary architecture, the firm of Diller + Scofidio has, since 1980, redefined what architecture can be. Through site-specific, highly conceptual works such as the acclaimed redesign of the famed Brasserie restaurant in New York City's Seagram Building, to the "Blur" building created for the Swiss Expo 2002 and composed entirely of mist, the firm has consistently challenged and expanded the role of architecture and design in our technology-oriented environment. In this comprehensive survey of the work of this internationally recognized firm, ten of Diller + Scofidio's most important site-specific pieces are examined, along with several of the artefacts they have created in order to examine issues of gender, surveillance, place and travel. With essays by respected scholars and a contribution by contemporary artist Laurie Anderson, this illustrated volume offers a look at the work of Elizabeth Diller and Ricardo Scofidio.

  • Sales Rank: #2113088 in Books
  • Brand: Brand: Whitney Museum
  • Published on: 2003-03-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 1.25" w x 8.25" l,
  • Binding: Hardcover
  • 244 pages
Features
  • Used Book in Good Condition

About the Author
K. Michael Hays, Adjunct Curator of Architecture at the Whitney Museum of American Art, is a leading architectural theorist and historian. He is currently Professor of Architectural Theory at Harvard University Graduate School of Design. He is founder and editor of Assemblage, the critical journal of architecture and design culture published by MIT Press, and the author of several books on contemporary architects and architecture.

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9 of 14 people found the following review helpful.
The Aberrant Architecture of Diller + Scofidio
By Michael Webb
The companion book to an exhibition at the Whitney, which runs through June 1, is a work of art in itself. The lenticular plastic cover shimmers enigmatically; folded pages with elliptical cuts allow you to peer inside, propelling you through the book in search of what can be imperfectly glimpsed. It's an appropriate, teasing metaphor for this collection of installations, exhibits, and as yet unrealized projects, plus Blur from the Swiss Expo 02. Elizabeth Diller and Ricardo Scofidio ponder our obsession with display and call everything into question. (Michael Webb is the book reviewer for LA Architect magazine.)

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Senin, 19 Juli 2010

[I769.Ebook] PDF Ebook Effortless Mastery: Liberating the Master Musician Within (Book + CD set), by Kenny Werner

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Effortless Mastery: Liberating the Master Musician Within (Book + CD set), by Kenny Werner

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Effortless Mastery: Liberating the Master Musician Within (Book + CD set), by Kenny Werner

Paperback book and CD set. Effortless Mastery: Liberating the Master Musician Within is a book for any musician who finds themselves having reached a plateau in their development. Werner, a masterful jazz pianist in his own right, uses his own life story and experiences to explore the barriers to creativity and mastery of music, and in the process reveals that ''Mastery is available to everyone,'' providing practical, detailed ways to move towards greater confidence and proficiency in any endeavor. While Werner is a musician, the concepts presented are for every profession or life-style where there is a need for free-flowing, effortless thinking.

The book also comes with an audio CD of meditations narrated by Kenny to help the musician reach a place of relaxed focus.

  • Sales Rank: #22967 in Books
  • Brand: Jamey Aebersold
  • Model: EM
  • Published on: 1996-01-09
  • Number of discs: 1
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .50" l, 2.00 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

From the Publisher
This is a great book for any musician, and it has literally changed the way people all over the globe think about their lives and their music. Kenny's candid confession of frustrations regarding his own early development really reveal how *everyone* struggles to reach a place of mastery, no matter what facade of confidence they present publicly. It is an inspiring book that seems to immediately connect with musicians, who say to us over and over, "I've always felt there was something holding me back, and now I know how to let go and move forward!" The accompanying CD of meditations will be helpful for those wishing to investigate further the practical techniques Kenny discusses in the book.

About the Author
Kenny Werner is an accomplished pianist who began performing at age 4 and, by age 11, had appeared on television. While at the Manhattan School of Music he became restless with his musical direction and began to explore Jazz as a new means of creativity and expression. Along his journey, he was inspired by masters of the craft to rethink not only the technical aspects of creativity, but also the spiritual aspects. Effortless Mastery is not only an account of that journey, but also an insightful guide for all those wishing to remove their own barriers to creativity in life and the arts.

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5 of 5 people found the following review helpful.
Effortless Mastery
By Sturmey Archer
Buddhism teaches us that wanting or desire is the cause of evil, and Zen teaches that unrestrained pursuit lies at the root of our troubles. It seems natural then, that musicianship should be a fruitful field in which to apply zen buddhism. After all, physical exertion is rarely helpful when attempting to play better music, and as Kenny Werner illustrates in Effortless Mastery, it can be counterproductive. He applies zen principles to musicianship, where the primary message is: you have a good musician inside yourself, who will emerge if you remove obstacles that are constructed when you try too hard. In other words, get out of your own way.

Werner approaches the paradox that is zen in a practical way. How do you achieve your goals without striving for them? He doesn't advocate eliminating goals. Instead he finds productive ways to achieve them while avoiding the pitfalls that come from exerting the wrong kind of effort.

While primarily geared toward the improvising musician, his principles can also be applied when trying to master previously written music. He walks a fine line between the practicality of improving one's musicianship and the new age thought that may turn off many readers, but he successfully reaches a balance by consistently focusing on the needs of the musician and providing genuinely useful advice.

5 of 5 people found the following review helpful.
Brilliant, Useful, and Annoying
By egen
____________________________________________________

Please do not read this book. Instead, I urge you to do this book. This is a book for your hands, not just your head.

This is a how-to book for the musician who wants to become a master musician. Obviously, you need to learn your instrument, learn techniques, repertoire, scales, chords, fingerings, all that–but mastery, as Kenny Werner sees it, is something else. Mastery is an attitude that affords you a fuller access to all the technical skills and knowledge you have painstakingly acquired over untold hours of practice. Mastery is an awareness that uses those technical tools to create a musical performance that feels more than merely competent, but seems to live and breathe. You have probably already played your instrument with mastery, at least for a few moments here and there, maybe for a few stanzas or a whole composition, maybe even for a whole evening or longer, when you astonished yourself with how brilliantly you were playing, how relaxed and confident you felt, how natural and inevitable the music sounded, and you went, “Oh yeah!! Now THIS is the real me!” And you were right; that is the real you. But then, frustratingly, it slipped away and your playing reverted back to “normal”: not as free, not as playful, not as real, more like work. And try as you might, you could never figure out how you got into that amazing groove in the first place, at least not with any consistency. You might slip into the groove from time to time when you are not expecting it, but then it eludes you when you really need it. This can torture a musician. It drives some of them to drink, or drugs–not in an attempt to “escape” reality, but in an attempt to find it. This book lays out a step-by-step approach designed to teach you how to find that groove at will instead of willy-nilly, as though you were at the mercy of a capricious “muse” or some such mystical nonsense. Mastery is a skill you can learn, not an unpredictable lightning strike.

Werner’s approach consists of a set of exercises whereby you cultivate a state of mind in which your body seems to play the instrument all by itself–hence the descriptor “effortless.” You look down at your fingers moving across your instrument and it actually does feel as though you are watching someone else play. The musician who has never experienced this effortless state will be quite sure the whole notion is pure fantasy or at least wishful exaggeration (or worse, some dissociative psychological disorder), but musicians who have experienced it can attest that it is very real, and worth developing if one only knew how. In reality, it is nothing supernatural, it is simply the unhindered human body doing what it does best (play an instrument, engage in an athletic activity, etc.) when left alone by the overbearing “ego-mind.” Some have called this effortless state “getting out of your own way.” It has lots of names: the zone, the groove, flow, self-actualization, peak performance, and over the centuries, many people have framed it in religious or spiritual terms. But even though it does indeed feel supernatural, it is arguably the most natural state a human can experience, though hardly the most common.

There is much practical wisdom sprinkled all through this book. Many sentences read like aphorisms, worthy of being posted on your studio wall as incisive reminders (e.g. “Play what you CAN play, not what you WISH you could play”). The book is worth reading just for the clear, elegant description of exactly what mastery even is. The exercises themselves are simple but not necessarily easy: they require concentration and diligence, and they may seem counterintuitive at first, even just plain wrong. You will be called upon to loosen your grip, at least temporarily, on some of the most sacred of sacred cows, such as “trying to sound good.” I cannot attest to the efficacy of Werner’s approach in gaining ultimate musical enlightenment, but just one session noticeably freed up my playing around a difficult passage that usually makes me tense my body in anticipation (“Uh-oh, here comes the hard part!”). The exercise helped me stay relaxed right on through the rocky spot and I actually executed it better.

And as mundane as it may sound, I think ninety percent of the “secret” to mastery is just that simple: relax. When your body is relaxed, and your mind is relaxed, you perform better, way better. Every athlete knows this. “Stay loose,” the coach exhorts the players before a game. Your response time is faster, your rhythm is more accurate, your awareness and aesthetic judgment are more free, everything just works better. You have much more control, and yet you seem less “controlling.” And not insignificantly you have more fun, and this comes through the music to the listener. Relaxation is key for instrumentalists, singers, athletes, actors, dancers, public speakers, anybody who performs a physical skill in real time. And yet as widely-known as this un-secret secret is, relaxing easier said than done. Most of us habitually tighten our muscles more than we need, often in subtle ways we are not even aware of–to the detriment of our playing. This is where the book really shines: Werner’s approach gives you a sense that you can control over your own ability to relax, with focus and alertness, when you need it most. Relaxation is a skill you can learn.

But what annoys me about this book is that Werner just can’t seem to resist the temptation to ladle a lot of New Age spiritual goop into the mix. “This joyful noise is the sound of the Supreme Being manifesting through us. If we surrender our desires, we will hear it.” Upon encountering a passage such as this, you might reflexively flip the book around and look at its cover to make sure you did not accidentally pick up your latest Deepak Chopra book but sadly, you did not. This streak of religio-babble wends its way through the book like a seam of coal in a gold mine. It keeps popping up, like that cheerfully pushy guy at a party who latches onto you and regales you with his opinions on reincarnation, over and over and over again. Oy. It’s not a fatal flaw, but it sure is annoying. I found myself skimming past whole pages, whole chapters, to get to the useful stuff, the actual method.

I have no doubt Werner honestly thinks his heartfelt sermonizing is a necessary part of learning how to play from that effortless state of mind. It is not. The effortless state does indeed feel transcendent but it is not supernatural or even particularly “spiritual,” it is just the normal subjective experience of a human being operating at full potential. Dragging religion into it is a gratuitous distraction. If I am reading a book about the science of meteorology, I really don’t care if the author thinks the Lord Jesus Christ is the master of the weather. I just want to learn the science. Werner should have stuck with the science. His tangents into pop theology do nothing to strengthen the central thesis of his book; on the contrary, they actually weaken it, except for the already-religious reader who would make this connection to God anyway. I wish Werner had trusted his readers enough to let us provide our own sense of cosmic significance.

But it’s worth overlooking this flaw because of the practical tools contained in the book. If you don’t like the New Age blather, just ignore it and keep reading–it soon passes. Eat the meat and spit out the bones. There’s plenty of meat in here.

For example, one exercise has you just sit there holding your instrument, feeling the instrument as a mere object, not even a musical instrument per se, just a physical chunk of matter devoid of any meaning or emotional content such as, “This is My Instrument, with which I will make my mark on the music world… I just hope I don’t mess up again…” All those self-involved, up-and-down, crazy-making fantasies we all entertain when we play–be honest now! You know you have them! This exercise can help you connect with your instrument on an elemental, physical level, free from a lot of the “relationship baggage” you may have developed with your instrument.

Another exercise is so simple yet so powerful: when you play, your only job is to LOVE the sound coming out of your instrument, right now. Don’t be critical of it; don’t listen to it with the thought of improving it; just listen and say, “This is the most gorgeous sound I have ever heard.” And mean it! This is something you will find you can do right now simply by focusing on it, and it can have an immediate positive effect on your playing.

So remember, these are exercises for you to DO, not just interesting concepts to think about. If you just read the book, nothing will change. But if you actually do the exercises, they will bring your awareness right into this sensory moment, where music actually lives.

6 of 6 people found the following review helpful.
What great performing artists do to be able to inspire humanity
By Professional Recording Artist
The truth found in this book is the reality and "how to" of all the great artists I have worked with, whether they are consciously aware of it or not. The contents of this book have to be realized by any artist, sooner or later.

Musicians without this inner reality and stance are not yet artists. They may be on their way; They may be extremely technical craftsmen, but they lack the magic and the inspiration of true art. True art is not an egotistical exercise in showcasing technical skill for the sake of impressing an audience or colleagues (note: they wont be impressed if the motivation is ego..only if it is dictated by music herself!), or flaunting knowledge, artificial complexity, contrived simplicity and catering to the egos' demands for attention. The public can subconsciously tell if you have become music or not. Your ego can't hide anywhere in the performing arts while performing. Offstage you can get away with much egotism if you so desire, but not during union with music...

A week ago I was thanking an old buddy of mine for his solos on 2 projects of mine. He is now one of the world's greatest new jazz bass players. I was telling him how the book was entirely "dead-on" according to my professional experience, which allows me the great good fortune of playing with some of he world's greatest musicians and discuss our musical experiences. He immediately jumped-in and said: " I have the book! I have read it several times".

This artist was already so in tune with his inner being when I met him in a music store long ago on the strength of ONE note with a gliss he played, which attracted my attention instantly!. It is a testimony to the depth and down to earth practical scope of this book that he has found additional key information to further grow his mastery to the point of at which it is today. For me there are also additional insights and realizations to absorb and practice as one's road in music lifelong. Remember: We all get beter with time. Even mozart did!.

I highly recommend this fantastic practical guide to your inner genius. Genius is genius, not average common-sense, so be prepared to abandon many of your old presuppositions and ineffective beliefs that you think are valid...They don't work in a state of mastery and inspiration. What Kenny Werner teaches in a very practical step by step manner does!

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Jumat, 16 Juli 2010

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MMA Instruction Manual: The Muay Thai Clinch, Takedowns, Takedown Defense, and Ground Fighting

  • Sales Rank: #9994646 in Books
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Kamis, 15 Juli 2010

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Drafting Contracts: How & Why Lawyers Do What They Do 2e (Aspen Coursebook)

  • Sales Rank: #6604834 in Books
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Minggu, 11 Juli 2010

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Halo: Evolutions: Essential Tales of the Halo Universe, by Tobias S. Buckell, Brian Evenson, Jonathan Goff, Kevin Grace, Tessa Kum, Robt M

When humanity expanded beyond the safety of Earth to new stars and horizons, they never dreamed what dangers they would encounter there. When the alien juggernaut known as the Covenant declared holy war upon the fragile human empire, millions of lives were lost―but, millions of heroes rose to the challenge. In such a far-reaching conflict, not many of the stories of these heroes, both human and alien, have a chance to become legend. This collection holds eleven stories that dive into the depths of the vast Halo universe, not only from the perspective of those who fought and died to save humanity, but also those who vowed to wipe humanity out of existence.

  • Sales Rank: #989485 in Books
  • Brand: Evenson, B. K./ Grace, Kevin/ Goff, Jonathan/ McLees, Robt/ Nylund, Eric
  • Published on: 2009-11-24
  • Released on: 2009-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.85" h x 1.62" w x 5.71" l, 1.25 pounds
  • Binding: Hardcover
  • 528 pages
Features
  • Used Book in Good Condition

About the Author

Tobias S. Buckell is the author of Halo: The Cole Protocol, Sly Mongoose, Ragamuffin and Crystal Rain. His books have been finalists for the Nebula Award, the Prometheus Award, and the Romantic Times Award for Best Science Fiction Novel. He hails from the Caribbean, where as a child he lived on boats in Grenada and the British and U.S. Virgin Islands. When he was a teenager, his family moved to Ohio after a series of hurricanes destroyed the boat they were living on, and he attended Bluffton University in Bluffton, Ohio, where he still lives today. Buckell fell in love with science fiction at a young age, reading Arthur C. Clarke and Isaac Asimov novels when he was seven years old. He is now a full-time author and freelancer.

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Most helpful customer reviews

135 of 139 people found the following review helpful.
A Little Bit of Everything
By Amazon Customer
Seeing as no one has voiced an opinion on this new item and I just finished, I have written this review. To give some backround on my knowledge of this subject I have read/played all Halo related products since 2001. I'm going to be blunt and say if your intrested in the universe bungie created this is a great read.

Halo evolutions is comprised of 11 short storys in no chronological order with many different characters (new and old#. Some of the authors involved in this project such as Eric Nylund and Tobias S. Buckwell #Both former Halo authors) sealed the deal.

Pros
- Very spread out storys with varying situations and perspectives
- Majority of Stories are good
- More Halo

Cons
- A couple of stories I found unintresting
- Wish there was more!

Regarding all highly knowledgeabale Halo fans like myself, The story: The Impossible Life and Possible Death of Preston J. Cole is a real treat and considered my favorite of the lot.

All in all this book had a small taste of everything I loved about Halo making a hard to put down book. This was my first review and I'd gladly appreciate feedback. Good or Bad. Thankyou.

71 of 74 people found the following review helpful.
It's about time.
By C. Duncan
I'm not "good" at video games. I've got the reaction time of a sleepy 83 year old on opiates and will always, ALWAYS be put down by the hordes of basement dwelling folk that populate the online, multiplayer landscape. Still, I stick with gaming because nowadays that's where a lot of the good stories are, mostly because games aren't restricted to any hard and fast time limitations they way film and television are. Along came "Halo" a little while back, and all of a sudden one of those great stories was taken from the hands of Japanese RPG characters with goofy hair and giant swords. With "Halo 2," the whole thing got even sweeter, with what is arguably the first FPS storyline that treated its viewers like adults...without a drop of blood, coarse language or any other supposedly "mature" content. Instead it relied on a post-modern telling of the Human/Covenant war that no longer allowed for black and white interpretations of good and bad. Players were forced to steer the Master Chief and the Arbiter through seas of grey, only to see the two intersect at another point of confusion: the eons-old Gravemind, both monstrous and beautiful in its timeless brilliance, abilities, and moderation between the warring races of the Covenant and Humanity.

Then there was "Halo 3." Due (apparently) to the constant nagging of frat boys and terrified children, the once rich and subtle web of stories woven in "Halo 2" was reduced once more to "you are you; they are them; you shoot them." Even the seemingly infinite Gravemind lost his sense for meter and rhyme all of a sudden along with all of Cortana's reason and wit. No explanation for any of this was offered until now. That explanation comes by way of Karen Traviss' "Human Weakness," and is (seriously) the second piece of work from the Halo universe to wrench tears out of me (the first being Eric Nylund's ludicrously exceptional "Ghosts of Onyx").

The fact that this collection of stories wasn't offered at the release of "Halo 3" is nothing short of a travesty to fans of the Halo universe's fiction. The stories that don't fill in gaps in the games' chronology and logic almost seem like an apology for the wait at this point. If that is the case though...apology accepted.
-Fans of the ODST's grandstanding and patriotism get all manner of reasons to salute in "Dirt."
-The abundant history and psychology of the varying Covenant races collected over various media and years (particularly "Contact Harvest") gets fleshed out further with respect to the Brutes in "Stomping on the Heels of a Fuss."
-The crippling, paralyzing horror of the Flood is revisited in sharper detail than ever before in "The Mona Lisa."
-"Blunt Instruments" remind us in so many ways that not all the Spartans match the man-with-no-name attitude of Master Chief, who shows his own little bit of humanity in "Palace Hotel."
-The Spartan III project remains the most interesting and aberrant bit of plot material yet introduced in the fiction, as evidenced by "The Headhunters," which is two parts "Full Metal Jacket" and one part Martin and Lewis.
-"Midnight in the Heart of Midlothian" and "The Return" probe deeper into the minds of warriors with nothing left to lose from both sides of the war...and very different fights.
-What Halo fiction would be complete (or worth any price tag) without Dr. Katherine Halsey dropping in to make you wonder if trying to save humanity is even worth it if we're just going to stay rotten to one another. It's a question she's posed several times, but never with as straight a finger aimed at herself as in "Pariah."
-And though it is by no means my favorite of the bunch, I can not stress enough how brilliant Eric Nylund is for making the thoroughly technical, formulaic military briefing that is "The Impossible Life and Possible Death of Preston J. Cole" into something so entertaining. I understand Alex Garland (of "28 Days later" fame) was already paid a vast sum of money to pen a Halo movie script, but for a clear understanding of the whole mythology (and not just the Flood) Mr. Nylund appears to have everyone beat in spades. I won't say I'd be surprised if they didn't pick him up for some rewrites at the least...because how often do these things go the way they should? But I will say that in a just world, the final words in a Halo film's credits would be "Written by Eric Nylund."

The stories may be shorter than the novels and games that preceded them, but they each make up for it in their intensity and understanding of the reader's sophistication. With that in mind, if you're new to Halo universe, this is not the place to start. If, however, you think you've finished the fight, this collection will remind you that there's no such thing.

19 of 19 people found the following review helpful.
Great for Halo fans, especially those seeking shorter stories
By James Graley
I've read every Halo novel as well as both Gears of War novels which were written by Karen Traviss who penned one of the stories in this book. This is a great installment in the Halo series and a great read. It's kind of like they held a contest and asked a bunch of authors to submit their stories to see who is the best Halo writer.

I personally think they are all quality reads. Some, of course, are better than others. The one by Karen Traviss fits her style (relationships based#. Really the best two are the ones from Eric Nylund as the other reviewer said #he writes about Admiral Cole#. Nylund wrote the best Halo novel to date and his short story is tied #in my mind# for the best of this book. Will somoeone please give this guy the Halo movie screenplay contract, he's the best Halo story teller there is in my opinion. The other great one is from a newcommer #to me and to Halo# by Jonathan Goff called the Headhunters. I wish those two stories went on for hundreds of more pages personally.

Nothing against the other authors by the way, all of the stories were great. Its just that when you put 11 different stories by 12 authors back-to-back, there is going to be some that are a little better than the others. I also liked the one with John #Mmaster Chief# on new mombassa telling a story that took place during the Halo 2 game timeline but that we haven't really heard before.

Anyway, if you are a Halo fan, you will love it. At least a few of the storis will really appeal to you #if not all#. If you liked the Gears of War novels and haven't read Halo, you'll like these as well #not just the one by Traviss).

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Selasa, 06 Juli 2010

[T424.Ebook] Ebook Free English & Communication for Colleges 4th EDITION, by Thomas L. Means

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English & Communication for Colleges 4th EDITION, by Thomas L. Means

English & Communication for Colleges 4th EDITION

  • Sales Rank: #883554 in Books
  • Published on: 2005-09-29
  • Binding: Paperback

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